Silent Film Orchestration at Gedung Kesenian Jakarta
Thursday, 12 June 2008
Originally, silent film was simply tracked by a single pianist as its sound theme. Then, in its development, silent film follow by an orchestra. Newest compositions are then, perform. Last wednesday, May 14th 2008, an ensemble from Vietnam...

Dosa Asal Tak Berampun Dalam Catatan Historiografi Film Indonesia
Friday, 13 November 2009
Resensi Buku Judul Buku: Sejarah Film 1900-1950: Bikin Film di JawaPenulis : H. Misbach Yusa BiranPenerbit : Komunitas Bambu & Dewan Kesenian JakartaTahun Penerbitan : Cetakan ke II, Agustus 2009Tebal Buku : xxxiv + 446 hlmPenulisan peta...

The Wind Will Carry Us: Communication Redefined
Tuesday, 15 July 2008
A machine from modern civilization, consists of modern men crossing the winding cracking hills road to find hard location and no sure direction except for the signs of nature. The location to find is somehow remote. Color gradation on the sun...

Two Sides of Film Competition Arrangement
Monday, 01 December 2008
Having trauma to the pressure of two fascist states, Germany and Italia, at the selection of Venice Film Festival in the last 1930’s, Jean Zay, French Minister of Education, decided to held a festival in France. By then, precisely in 1939, Luis...
Jean Epstein: First Avant-garde Director
Wednesday, 18 November 2009
Jean Epstein (1897-1953) One of the foremost directors of the French silent cinema, Epstein is also remembered as a cinematic theorist whose writings such as Ecrits sur le cinema examined the philosophical impact of film. Epstein's works, considered...

Watch and Discuss the Movie at Kinoki Jogja
Thursday, 12 June 2008
The name was took from a community which founded in the 1920’s Russia by Dziga Vertov. The mere meaning was Eye of a Camera. According to its name, Kinoki focusing their activities by making film with documentary method, which is recording all...

Alex Sihar: A Challenge to Familiarize the Language of Video
Sunday, 23 August 2009
This year, Yayasan Konfiden (Independent Film Community Foundation)—a foundation focusing on the development and distribution of audio visual media knowledge and usage to sustain empowerment as well as to gain appreciation and support—by public...

Soal-soal Seni Pada Filem Disaat Ini
Thursday, 12 June 2008
(This article is only in Bahasa Indonesia) Dimuat di MINGGUAN SIASAT edisi Minggu-12 Nopember 1950, Minggu-19 Nopember 1950, Minggu-26 Nopember 1950, dan Minggu-3 Desember 19501927 adalah tahun yang sangat berarti bagi dunia filem. Tahun itu menutup...
Violence in Films: Critique to the Film Kado Hari Jadi
Monday, 30 November 2009
How do we summarize violence derived from day-to-day reality? Blood! It’s the easiest language to frame the violence and sadism of an occurrence. Adding to it, gory utensils such as knife, screwdriver, hammer, and razor. Then, how do we envelop...

Elida Tamalagi
Tuesday, 12 August 2008
Negotiate The Discourse of Audio Visual at The Alternative Bioscope Public demand on alternative bioscopes are numerous. Unfortunately, this huge exigency is not supported by the aspirant management of the movie place. The activity of screening...

Realisme Sinematik dan Mazhab Pembebasan Italia
Friday, 24 October 2008
(This article is a translation and not available in english) Kepentingan historis filem Paisa Rossellini telah sepenuhnya diperbandingkan dengan sejumlah mahakarya filem klasik. Tanpa ragu, George Sadoul menyebutnya sejajar Nosferatu, Die...
Sejarah Filem Sebagai Seni (3): Muka yang Tak Terlihat
Monday, 28 September 2009
(available only in Bahasa Indonesia) Sejak munculnya filem di Indonesia tahun 1900, banyak artikel-artikel di media massa cetak yang kritis membahas kehadiran filem di masyarakat. Penerbitan kembali artikel sejarah filem oleh Jurnal Footage adalah...
Prelinger Archives: Daily Life Archives
Thursday, 03 December 2009
"The film your about to see, represence a significant breakthrough of the advancing science of the motion picture. For years, the industrial film has been pledge by the always-difficult sometime impossible-to-explain cost of the original creative...

No Surprises in Sang Pemimpi
Monday, 28 December 2009
A film firstly released as an opening to the 2009 Jakarta International Film Festival (Jiffest) was already attracting crowd even before the week of its release ended. Audience seemed to be very enthusiastic to kill their curiosity over this sequel...

Sejarah Filem Sebagai Seni (I)
Wednesday, 19 August 2009
(Available only in Bahasa Indonesia) Jurnal Footage akan memuat kembali tiga artikel tentang sejarah filem yang ditulis oleh tiga penulis berbeda: Herman Pratikto dan H. Asby (Indonesia) dan B.J. Bertina (Belanda) yang sudah diterjemahkan oleh...
Maklumat Filem Bersuara
Monday, 24 November 2008
(This article is a translation and not available in English)Mimpi akan filem bersuara sudah nyata. Dengan ditemukannya teknik filem bersuara, Amerika sudah lebih mendahului dengan mementingkan dan mempercepat pemanfaatannya. Dengan tujuan sama pula,...
Me and Periferry 1.0
Tuesday, 12 August 2008
“Through many years, at great expenses, journeying through many countries, I went to see high mountains, I went to see oceans. Only I had not seen at my very doorstep, the dew drop glistening on the ear of the corn.” –Visva Bharati.On the...

Documemory: A Bibliography
Thursday, 04 June 2009
A. Documentary Film100 Années Lumière. Retrospéctive de l’oeuvre documentaire des grands cinéastes français de Louis Lumière jusqu’à nos jours. Paris: Ministère des affaires étrangères, 1991.Barnouw, Eric. Documentary: A History of the...

Mimicking Mimicry: Notes on the 4th Purbalingga Film Festival 2010
Thursday, 03 June 2010
According to Teshome Gabriel, the first period of third world cinema is Hollywood films. The second is by mimicking Hollywood films, i.e. identifying themselves to Hollywood films. We can see traces of mimicry in the early production of Dutch Indies...

Jonas Mekas’ Cultural Archives
Thursday, 23 July 2009
“In Lithuania, I’m known as a poet, and they don’t care about my cinema. In Europe, they don’t know my poetry; in Europe, I am a filmmaker. But here, in the United States, I am only a maverick.” —Jonas Mekas, The New York Times, June 12,...

Sejarah Filem Sebagai Seni (6): Mata yang Dapat Mendengar
Saturday, 19 December 2009
(Available only in Bahasa Indonesia) ANEKA, No. 17 Tahun VI 10 Agustus 1955 (VI) Sutradara Fritz Lang yang termasyhur. Filemnya, Die Nibelungen: Kriemhelds Rache, disebut orang sebagai filem jenius dan citra pictural-nya dianggap sebagai mahakarya...

Ingmar Bergman dan Swedia: Akhir Sebuah Epos
Saturday, 03 July 2010
Read original article Pada 1944-45 saat perang dunia kedua hampir berakhir, debut dua artistik yang sangat sedikit berdampak pada situasi politik internasional tapi akan menjadi penentu utama wilayah kebudayaan Swedia terjadi. Pertama adalah...

In Memoriam: Alexis Tioseco (1981-2009)
Thursday, 03 September 2009
Compiled by Jurnal Footage It was a great shock, having heard the news about the tragic murder of one of the best Southeast Asia Film Critics, Alexis A. Tioseco. He was so young. So passionate. When it come to talk about film, he will eagerly...

"jadi Zizek memang enak. Bisa ngomong "seenak"-nya, bis...
Setelah beberapa lama, ada kendala teknis pada fasilitas komentar d...
tes
proyek new media art yang sebetulnya kembali pada sejarah visualisa...
tapi tonton dulu, soalnya suka ada PROMOTION ONLY yang muncul tiap ...
mmmm...von trier telah lama mati...bagi saya film ini tetap bermutu...
akhirnya yakin juga bahwa film keren ini ada maksudnya (lho!!) haha...
Boleh deh argumentasinya, tapi saya tetap bersepakat dengan para kr...
la'u cari aja di ambassador ato di lapak bajakan. banyak yg jual . . .
lom nonton filmnya juga,ada di jual ga yak???