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  • Germany Anno Zero | 1948 | 78 menit | BW | Roberto Rosselini
  • La Strada | 1954 | 104 menit | BW | Federico Fellini
  • La Terra Trema | 1948 | 160 menit | BW | Luchino Visconti
  • Ladri di Biciclette | 1948 | 93 menit | BW | Vittorio de Sica

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"Very often, footage that you have shot develops its own dynamic, its own life, that is totally unexpected, and moves away from your original intentions."

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Produksi Film Tjerita di Indonesia, Perkembangannja Sebagai Alat Masjarakat
Thursday, 29 April 2010

(Available only in Bahasa Indonesia) Ia bukanlah buku yang diterbitkan secara mandiri, tetapi merupakan terbitan khusus dari INDONESIA Madjalah Kebudayaan untuk edisi Januari dan Februari 1953. Majalah Indonesia memiliki tradisi untuk...

Berita Gempa
Thursday, 01 October 2009

Alam memang memiliki cara tersendiri untuk menyampaikan pesan. Dalam satu bulan terakhir terjadi sebanyak 30 gempa kecil maupun besar di bumi Indonesia. Tiga gempa di antaranya termasuk besar. Pertama Tasikmalaya, Jawa Barat, lalu Yogyakarta, dan...

Video: The New Wave
Thursday, 31 December 2009

Tracing the Genealogy of World’s Video Art The development of Indonesian video art in the last decade has been satisfactory. Several visual art events have included video art as part of contemporary art exhibition. Video art has even invaded...

“Media” In the Mind of Rafaël Rozendaal
Friday, 19 February 2010

In a number of video and media art exhibitions that I attended, video works emerge as a vital part in the presentation of media art. But how do we define video “works”? From the classic perspective, video is defined as non-narrative audio visual...

Pernyataan Politik Godard dalam La Chinoise
Thursday, 15 January 2009

(This article temporarily available only in Bahasa Indonesia) La Chinoise bisa dianggap semacam pamflet politik sekaligus pamflet artistik dalam bahasa sinema Jean-Luc Godard. Melalui adaptasi lepas dari novel Fyodor Dostoevsky tahun 1872, The...

Ten Directors From The Ten Years of Political Reform
Thursday, 12 June 2008

The political reform of 1998 is an important history in the life of Indonesian. The current of changes occurs everywhere. But, after ten years, what can we achieve? The film screenings of ten years political reform has trying to open the space...

V Film Festival 2010 and an Interview with Intan Paramadhita
Saturday, 24 April 2010

V Film Festival or the International Women Film Festival was first held in 2009 with the theme “Girl Power in Action”. This year, V Film Festival 2010 carries the theme “Identity and Youth”. V Film Festival 2010 was held by the collaboration...

Revolutions Happen Like Refrains in a Song*
Thursday, 03 September 2009

*(Or rather, are declared as often):Amidst a State of Dependence, A New Philippine Cinema is Born.The term independent once meant something in Philippine Cinema. It was reserved for such luminaries as Rox Lee (the great animator), Raymond Red (the...

Tentang Uraian Luar Layar
Saturday, 29 August 2009

(available only in Bahasa Indonesia) Jurnal Footage akan menampilkan seri wawancara antara Eric Rohmer dan Barbert Schoeder mengenai Isu Filem dan Kisah-kisah Moral. Terjemahan wawancara dalam bahasa Indonesia ini akan dirangkai menjadi tiga bagian,...

Arkeologi Seni Media
Saturday, 24 April 2010

Percakapan antara Jussi Parikka dan Garnet Hertz Artikel asli berbahasa Inggris bisa dibaca di www.ctheory.netOriginal text in English on www.ctheory.net   Pendahuluan Arkeologi media merupakan suatu pendekatan studi media yang mengemuka sejak...

Visual Overproduction of Video
Tuesday, 18 August 2009

There is usually no time to build a relationship with the image: if we are not in motion, then the image is designed to pass us by in an instant. - Frances Guerin dan Roger Hallas, 2007 The above statement from two writers of visual culture seems to...

No Surprises in Sang Pemimpi
Monday, 28 December 2009

A film firstly released as an opening to the 2009 Jakarta International Film Festival (Jiffest) was already attracting crowd even before the week of its release ended. Audience seemed to be very enthusiastic to kill their curiosity over this sequel...

Me and Periferry 1.0
Tuesday, 12 August 2008

“Through many years, at great expenses, journeying through many countries, I went to see high mountains, I went to see oceans. Only I had not seen at my very doorstep, the dew drop glistening on the ear of the corn.” –Visva Bharati.On the...

Der Letztze Mann: The Independence of Murnau’s Cinema
Thursday, 17 December 2009

In a scene, a doorman attends to the entrance of a luxurious hotel; dignified in gesture, alert and ready to serve every guest. A very friendly figure among the hustling hotel guests. At one time, two ladies are exiting. It’s a little rainy when...

Video Mashup: A Remix Culture
Thursday, 28 January 2010

Few times ago, I was shown a video from YouTube. It was a music video Metallica Tribute to Rhoma Irama1. It may sound impossible, but all my expectations turned upside down and inside out watching this video. It’s originally a video of...

Sejarah Filem Sebagai Seni (2): Pengaruh Sandiwara
Wednesday, 02 September 2009

(Available only in Bahasa Indonesia) Jurnal Footage akan memuat kembali tiga artikel tentang sejarah filem yang ditulis oleh tiga penulis berbeda: Herman Pratikto dan H. Asby (Indonesia) dan B.J. Bertina (Belanda) yang sudah diterjemahkan oleh...

Realisme Sinematik dan Mazhab Pembebasan Italia
Friday, 24 October 2008

(This article is a translation and not available in english) Kepentingan historis filem Paisa Rossellini telah sepenuhnya diperbandingkan dengan sejumlah mahakarya filem klasik. Tanpa ragu, George Sadoul menyebutnya sejajar Nosferatu, Die...

Info Festival Film Purbalingga 2010: “Melihat Kita”
Saturday, 22 May 2010

Pada penyelenggaraan Festival Film Purbalingga (FFP) keempat ini, FFP menghadirkan tema “Melihat Kita”. Melihat Kita adalah sebuah ajakan untuk melihat dan menilai kembali kejadian-kejadian di sekitar kita dalam aspek sosial dan budaya....

Watch and Discuss the Movie at Kinoki Jogja
Thursday, 12 June 2008

The name was took from a community which founded in the 1920’s Russia by Dziga Vertov. The mere meaning was Eye of a Camera. According to its name, Kinoki focusing their activities by making film with documentary method, which is recording all...

Aminuddin TH Siregar: We Excel Other Countries in Southeast Asia
Monday, 03 August 2009

Why do you pick the theme ‘Comedy’ for the fourth OK. Video?We believe the theme comedy correlates to the socio-political state our country is now in. It’s an attempt to look for collective ways of catharsis, not to burden ourselves with...

Menilai 3 Doa 3 Cinta Melalui Mata Penonton
Monday, 26 January 2009

“Demi masa depan, aku harus tinggalkan. Ah…abang, demi cita-cita…” Ini adalah salah satu potongan lirik lagu dangdut yang dinyanyikan Dian Sastrowardoyo saat berperan sebagai Dona Satelit di filem 3 Doa 3 Cinta. Goyang pinggul dan riasan...

Benny Wicaksono: Surabaya Harus Mengejar Ketertinggalan
Tuesday, 30 June 2009

(Temporarily Available Only in Bahasa Indonesia) Berawal dari mengejar "ketertinggalan", Globalappleworks dan Surabaya New Media Art Center, membuat sebuah festival video bertajuk VIDEO:WRK – Surabaya International Video Festival 2009. Festival...

The Ontology of Cinematography and Reflections on Cinema
Wednesday, 22 October 2008

The ontology of cinematography and the reflections on cinema addresses the question of what film is, what makes a film a film, and to examine what Wittgenstein would call the grammar of our concept of film and the role films play in the forms of our...

Documemory: A Bibliography
Thursday, 04 June 2009

A. Documentary Film100 Années Lumière. Retrospéctive de l’oeuvre documentaire des grands cinéastes français de Louis Lumière jusqu’à nos jours. Paris: Ministère des affaires étrangères, 1991.Barnouw, Eric. Documentary: A History of the...

WALL-E: Receding to Human’s Primordial Side
Monday, 08 June 2009

Upon seeing the people as depicted in Pixar/Disney’s WALL-E, I was instantly reminded of a day in anthropology class back in my university days. That day, the professor elaborated human physical evolution which is only predictable to...

Brass Unbound: Usaha Etis van der Keuken dalam Dokumenter Masyarakat Pascakolonial
Friday, 12 June 2009

(temporarily, only available in Bahasa Indonesia) Sebuah Tuba (alat musik tiup) bergerak dalam bingkai medium. Menaiki sebuah truk, Tuba melintas tepi sungai, kemudian bingkai berganti menggambarkan sekilas suasana kota seperti pasar, terminal, dan...

Part-time Work of a Domestic Slave: Repositioning of Cinema and Audience in a New Discourse Development
Friday, 24 July 2009

Part-time Work of a Domestic Slave (Gelegenheitsarbeit einer Sklavin, 1973) tells the story of Roswitha Bronski who works to support the family while her husband, Franz Bronski, busies himself with chemistry researches in order to fulfill his...

The Endless Steps: Transaction of Sign Agreement
Monday, 24 November 2008

‘Is there any sign?’This question asked four times by a caller in the video The Endless Steps from Maulana Adel Pasha. Question which is so important for the caller to find the house. The transaction of sign thus occur. A bargain of subjective...

Doa yang Mengancam: Potret Pergulatan Iman Kaum Subaltern
Thursday, 16 July 2009

(Temporarily available only in Bahasa Indonesia) Di blog pribadinya, Hanung Bramantyo menyebut filem Doa yang Mengancam memiliki pesan untuk bercermin diri. Menurutnya, filem ini bertema keikhlasan. Manusia menjadi bersahaja karena dirinya ikhlas....

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