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  • Germany Anno Zero | 1948 | 78 menit | BW | Roberto Rosselini
  • La Strada | 1954 | 104 menit | BW | Federico Fellini
  • La Terra Trema | 1948 | 160 menit | BW | Luchino Visconti
  • Ladri di Biciclette | 1948 | 93 menit | BW | Vittorio de Sica

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"Very often, footage that you have shot develops its own dynamic, its own life, that is totally unexpected, and moves away from your original intentions."

[Werner Herzog]

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Sejarah Filem Sebagai Seni (4): Kemungkinan-kemungkinan yang Tak Diduga
Thursday, 19 November 2009

(available only in Bahasa Indonesia) ANEKA, No. 12 Tahun VI 20 Juni 1955 Dengan mata apapun melihat filem pada waktu itu; sebagai gambar yang bergerak di pasar malam, sebagai reproduksi foto dari lakon-lakonan lucu atau sebagai “teknik foto”...

Documemory: A Bibliography
Thursday, 04 June 2009

A. Documentary Film100 Années Lumière. Retrospéctive de l’oeuvre documentaire des grands cinéastes français de Louis Lumière jusqu’à nos jours. Paris: Ministère des affaires étrangères, 1991.Barnouw, Eric. Documentary: A History of the...

Sejarah Filem Sebagai Seni (6): Mata yang Dapat Mendengar
Saturday, 19 December 2009

(Available only in Bahasa Indonesia) ANEKA, No. 17 Tahun VI 10 Agustus 1955 (VI) Sutradara Fritz Lang yang termasyhur. Filemnya, Die Nibelungen: Kriemhelds Rache, disebut orang sebagai filem jenius dan citra pictural-nya dianggap sebagai mahakarya...

Bilal: Between Freedom and Fascism in Punk Ideology
Thursday, 17 July 2008

Bilal (2006) is a first and important work of Bagasworo Aryaningtyas. The work also appeared to be a confirmation of Bagasworo identity as a true punker. His next works such as Memanjakan Tubuh/Spoiling the Body (2006) and Lingkaran X/The X Circle...

Rentjong Atjeh
Wednesday, 22 July 2009

(This article only available in Bahasa Indonesia) J.I.F SUPER SPECIAL PRODUCTION 1940"RENTJONG ATJEH"Serombongan bajak laut telah menyerang sebuah kapal layar, yang sedang berlayar di Selat Malaka. Dengan dikepalakan oleh Bintara (Bisoe), kawanan...

Der Letztze Mann: The Independence of Murnau’s Cinema
Thursday, 17 December 2009

In a scene, a doorman attends to the entrance of a luxurious hotel; dignified in gesture, alert and ready to serve every guest. A very friendly figure among the hustling hotel guests. At one time, two ladies are exiting. It’s a little rainy when...

Jermal dan Totalitas Neorealisme
Monday, 06 July 2009

(Temporarily available only in Bahasa Indonesia) Filem Jermal meneguhkan kembali kaidah-kaidah neorealisme. Filem cerita panjang kedua yang disutradarai Ravi Bharwani bersama Rayya Makarim, Utawa Tresno dan diproduseri oleh Orlow Suenke ini...

Reading Michael Haneke’s Code Unknown
Friday, 03 October 2008

Michael Haneke is probably the most interesting director in the contemporary cinema history. Born in Munich, 1942, Haneke grew in suburb Austria, Weiner Nestadt. Having learned pschycology, philoshophy and theater at the Vienna University and make...

Video: The New Wave
Thursday, 31 December 2009

Tracing the Genealogy of World’s Video Art The development of Indonesian video art in the last decade has been satisfactory. Several visual art events have included video art as part of contemporary art exhibition. Video art has even invaded...

Toshio Matsumoto (1932-)
Wednesday, 12 August 2009

Mimicking Mimicry: Notes on the 4th Purbalingga Film Festival 2010
Thursday, 03 June 2010

According to Teshome Gabriel, the first period of third world cinema is Hollywood films. The second is by mimicking Hollywood films, i.e. identifying themselves to Hollywood films. We can see traces of mimicry in the early production of Dutch Indies...

Maklumat Filem Bersuara
Monday, 24 November 2008

(This article is a translation and not available in English)Mimpi akan filem bersuara sudah nyata. Dengan ditemukannya teknik filem bersuara, Amerika sudah lebih mendahului dengan mementingkan dan mempercepat pemanfaatannya. Dengan tujuan sama pula,...

Dian Herdiany
Monday, 21 July 2008

Video Community Should Attain Their Independency   It was started from the catastrophic Yogyakarta earthquake in 2006, Kampung Halaman came and offered society empowerment trough video. They aim at youngsters. The unique methods made Kampung...

Love is Colder Than Death: Aesthetic Counterattack to Hollywood Domination
Sunday, 01 November 2009

  Bruno dies, unexpectedly, after a shoot-out with the police. Almost no destruction caused by the firing, not even bloodshed. Plot moves flat, without any pretention of emotional violence. It constructs and is a violent climax in a gangster film...

Doa yang Mengancam: Potret Pergulatan Iman Kaum Subaltern
Thursday, 16 July 2009

(Temporarily available only in Bahasa Indonesia) Di blog pribadinya, Hanung Bramantyo menyebut filem Doa yang Mengancam memiliki pesan untuk bercermin diri. Menurutnya, filem ini bertema keikhlasan. Manusia menjadi bersahaja karena dirinya ikhlas....

Sejarah Seni Sebagai Seni (9): Pelajaran Rusia
Wednesday, 28 July 2010

Aneka No. 21 THN VI, 20 september 1955   (Available only in Bahasa Indonesia) Tahun 1927 pertama kali dipertunjukkan filem-filem Rusia di Eropa. Filem-filem seperti The Battleship Potemkin (1925) buatan Sergei Eisenstein, Mother (Ibunda, 1926)...

Silent Film Orchestration at Gedung Kesenian Jakarta
Thursday, 12 June 2008

Originally, silent film was simply tracked by a single pianist as its sound theme. Then, in its development, silent film follow by an orchestra. Newest compositions are then, perform. Last wednesday, May 14th 2008, an ensemble from Vietnam...

Aminuddin TH Siregar: We Excel Other Countries in Southeast Asia
Monday, 03 August 2009

Why do you pick the theme ‘Comedy’ for the fourth OK. Video?We believe the theme comedy correlates to the socio-political state our country is now in. It’s an attempt to look for collective ways of catharsis, not to burden ourselves with...

Sinema Digital dan DVD
Monday, 28 September 2009

(available only in Bahasa Indonesia) Jurnal Footage menampilkan seri wawancara antara Eric Rohmer dan Barbert Schoeder mengenai Isu Filem dan Kisah-kisah Moral. Ini adalah bagian terakhir dari seri wawancara Eric Rohmer dan Barbert Schoeder. Ciri...

Nicolás Echevarría: Myth as a Form of Creativity
Wednesday, 27 May 2009

Nicolás Echevarría is a director, producer and cinematographer who has worked in both film and television, making documentaries and fiction films. One of Mexico’s prominent filmmakers. He began to make films following the massacre at Tlatelolco,...

The Ontology of Cinematography and Reflections on Cinema
Wednesday, 22 October 2008

The ontology of cinematography and the reflections on cinema addresses the question of what film is, what makes a film a film, and to examine what Wittgenstein would call the grammar of our concept of film and the role films play in the forms of our...

“Media” In the Mind of Rafaël Rozendaal
Friday, 19 February 2010

In a number of video and media art exhibitions that I attended, video works emerge as a vital part in the presentation of media art. But how do we define video “works”? From the classic perspective, video is defined as non-narrative audio visual...

Lightly Reflecting the World’s History of Visual Art through 70 Million Video
Wednesday, 10 March 2010

There’s so much one can do upon reflecting history. In the Western world, interpretation of cultural history continues to roll until today. It’s the essence of cultural history: to be reinterpreted continuously by consecutive generations. The...

Ten Directors From The Ten Years of Political Reform
Thursday, 12 June 2008

The political reform of 1998 is an important history in the life of Indonesian. The current of changes occurs everywhere. But, after ten years, what can we achieve? The film screenings of ten years political reform has trying to open the space...

Sejarah Filem Sebagai Seni (5): Kerumitan Jiwa
Wednesday, 16 December 2009

(available only in bahasa Indonesia) ANEKA, No. 13 Tahun VI 1 Juli 1955 (V) Di tahun-tahun sebelum 1914, di wilayah Eropa, dengan susah payah pelaku filem berusaha membuat filem, sedang di Amerika, Hollywood yang berciri industri besar-besaran pun...

Produksi Film Tjerita di Indonesia, Perkembangannja Sebagai Alat Masjarakat
Thursday, 29 April 2010

(Available only in Bahasa Indonesia) Ia bukanlah buku yang diterbitkan secara mandiri, tetapi merupakan terbitan khusus dari INDONESIA Madjalah Kebudayaan untuk edisi Januari dan Februari 1953. Majalah Indonesia memiliki tradisi untuk...

Filem Pendek Sudah Mati, Tapi Tidak di Oberhausen
Sunday, 10 May 2009

(Only in Bahasa Indonesia) Selama 55 tahun festival filem pendek Oberhausen telah menjadi ajang bertemunya sutradara, distributor, pembeli dan peminat filem pendek dari seluruh dunia. Sebagai bekas kota industri, dengan tingkat pengangguran yang...

Massroom Project Catalogue
Friday, 03 July 2009

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Chaerul Umam’s Ambivalence
Wednesday, 10 March 2010

Reality in Ladri di Biciclette
Thursday, 28 August 2008

QueriesLast night was my numerous silenced on one of the Italian neorealism, Ladri di Biciclette (1948), a film by Vittorio de Sica from the script of Cesare Zavattini. I was stunned in the film exposes on the reality of post-war Italian society....

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