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  • Germany Anno Zero | 1948 | 78 menit | BW | Roberto Rosselini
  • La Strada | 1954 | 104 menit | BW | Federico Fellini
  • La Terra Trema | 1948 | 160 menit | BW | Luchino Visconti
  • Ladri di Biciclette | 1948 | 93 menit | BW | Vittorio de Sica

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"Very often, footage that you have shot develops its own dynamic, its own life, that is totally unexpected, and moves away from your original intentions."

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More.Articles_!

The Ontology of Cinematography and Reflections on Cinema
Wednesday, 22 October 2008

The ontology of cinematography and the reflections on cinema addresses the question of what film is, what makes a film a film, and to examine what Wittgenstein would call the grammar of our concept of film and the role films play in the forms of our...

Sejarah Filem Sebagai Seni (7): Menara Gading
Wednesday, 20 January 2010

(Available only in Bahasa Indonesia) ANEKA, No. 17 Tahun VI 10 Agustus 1955 (VI) Dalam perkataan filem mutlak terselit sesuatu yang 100%. Obyeknya sendiri menjadi gejala tulen atas kenyataan sebenarnya yang menjadi citra sederhana dan kenyataan yang...

The Wind Will Carry Us: Communication Redefined
Tuesday, 15 July 2008

A machine from modern civilization, consists of modern men crossing the winding cracking hills road to find hard location and no sure direction except for the signs of nature. The location to find is somehow remote. Color gradation on the sun...

Experimentelle Deutsch-Indonesische Musikvideos
Monday, 26 July 2010

Exhibition7-13 August 2010, 10am-5pm (Sunday closed) VenueGoethehausJl. Sam Ratulangi No. 9-15 Menteng, Jakarta Pusat OpeningFriday, 6 August 2010, 7pm Videotalk with Anggun Priambodo (music video maker) and Indra Ameng (curator)Friday, 6 August...

Documemory: A Bibliography
Thursday, 04 June 2009

A. Documentary Film100 Années Lumière. Retrospéctive de l’oeuvre documentaire des grands cinéastes français de Louis Lumière jusqu’à nos jours. Paris: Ministère des affaires étrangères, 1991.Barnouw, Eric. Documentary: A History of the...

Sejarah Filem Sebagai Seni (6): Mata yang Dapat Mendengar
Saturday, 19 December 2009

(Available only in Bahasa Indonesia) ANEKA, No. 17 Tahun VI 10 Agustus 1955 (VI) Sutradara Fritz Lang yang termasyhur. Filemnya, Die Nibelungen: Kriemhelds Rache, disebut orang sebagai filem jenius dan citra pictural-nya dianggap sebagai mahakarya...

Tabu: A Representation of Indigenous Polynesian
Thursday, 31 December 2009

Matahi, a native man of an island in South Pacific called Bora-bora, falls in love with a girl named Reri. One day, Hitu, a tribe leader sent by leaders of each island of the archipelago, comes to take Reri as a replacement for their late sacred...

In Memoriam: Alexis Tioseco (1981-2009)
Thursday, 03 September 2009

Compiled by Jurnal Footage It was a great shock, having heard the news about the tragic murder of one of the best Southeast Asia Film Critics, Alexis A. Tioseco. He was so young. So passionate. When it come to talk about film, he will eagerly...

Fritz Lang and The German Expressionism
Thursday, 12 June 2008

Fritz Lang is regarded as one of the main directors in the early history of film. As a representative of expressionism in the 1920’s, he has made some of the most important German silent film. During the repression of German Nazi party, he left to...

Tentang Uraian Luar Layar
Saturday, 29 August 2009

(available only in Bahasa Indonesia) Jurnal Footage akan menampilkan seri wawancara antara Eric Rohmer dan Barbert Schoeder mengenai Isu Filem dan Kisah-kisah Moral. Terjemahan wawancara dalam bahasa Indonesia ini akan dirangkai menjadi tiga bagian,...

“Media” In the Mind of Rafaël Rozendaal
Friday, 19 February 2010

In a number of video and media art exhibitions that I attended, video works emerge as a vital part in the presentation of media art. But how do we define video “works”? From the classic perspective, video is defined as non-narrative audio visual...

Ten Directors From The Ten Years of Political Reform
Thursday, 12 June 2008

The political reform of 1998 is an important history in the life of Indonesian. The current of changes occurs everywhere. But, after ten years, what can we achieve? The film screenings of ten years political reform has trying to open the space...

A Pamphlet of Our History in Ruma Maida
Sunday, 08 November 2009

Ishak Pahing dies amid a gunfire volley during an air raid of the plane he was on with his friends. This scene opens the film Ruma Maida (Maida’s House), directed by Teddy Soeriaatmadja, and as scriptwriter, Ayu Utami—the writer who shook...

Sejarah Seni Sebagai Seni (9): Pelajaran Rusia
Wednesday, 28 July 2010

Aneka No. 21 THN VI, 20 september 1955   (Available only in Bahasa Indonesia) Tahun 1927 pertama kali dipertunjukkan filem-filem Rusia di Eropa. Filem-filem seperti The Battleship Potemkin (1925) buatan Sergei Eisenstein, Mother (Ibunda, 1926)...

Massroom Project Catalogue
Friday, 03 July 2009

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Sejarah Filem Sebagai Seni (3): Muka yang Tak Terlihat
Monday, 28 September 2009

(available only in Bahasa Indonesia) Sejak munculnya filem di Indonesia tahun 1900, banyak artikel-artikel di media massa cetak yang kritis membahas kehadiran filem di masyarakat. Penerbitan kembali artikel sejarah filem oleh Jurnal Footage adalah...

Religion, Politics, and Povertization in Los Olvidados
Tuesday, 16 December 2008

Los Olvidados is a work of one of the surrealist movement figures, Luis Bunuel. Born in Spain, 22 February 1900, grow in Mexico. Luis Bunuel finish Los Olvidados in 1950. This picture become one important work that inspire many pictures around the...

Yang Muda yang Bercinta: Early Montage in New Order Regime
Wednesday, 07 October 2009

A young man rides in a bajaj with his pregnant lover, passing through Jakarta’s slums in the 1970s. Child beggars in the city’s labyrinths become a syntagmatic connection to bajaj. The young man is a university student named Sony (W. S. Rendra)1...

Reality in Ladri di Biciclette
Thursday, 28 August 2008

QueriesLast night was my numerous silenced on one of the Italian neorealism, Ladri di Biciclette (1948), a film by Vittorio de Sica from the script of Cesare Zavattini. I was stunned in the film exposes on the reality of post-war Italian society....

Menilai 3 Doa 3 Cinta Melalui Mata Penonton
Monday, 26 January 2009

“Demi masa depan, aku harus tinggalkan. Ah…abang, demi cita-cita…” Ini adalah salah satu potongan lirik lagu dangdut yang dinyanyikan Dian Sastrowardoyo saat berperan sebagai Dona Satelit di filem 3 Doa 3 Cinta. Goyang pinggul dan riasan...

Pernyataan Politik Godard dalam La Chinoise
Thursday, 15 January 2009

(This article temporarily available only in Bahasa Indonesia) La Chinoise bisa dianggap semacam pamflet politik sekaligus pamflet artistik dalam bahasa sinema Jean-Luc Godard. Melalui adaptasi lepas dari novel Fyodor Dostoevsky tahun 1872, The...

One Day We'll Only Memorizing The Celluloid
Tuesday, 12 August 2008

What film struck you most? Fiction and documentary: film. Until two years ago, when I stepped out my room to watch The Mirror, a film of Jafar Panahi, I was feeling awakened to the category of certain films that for a long time quieting my mind. If...

Chaerul Umam’s Ambivalence
Wednesday, 10 March 2010

Filem! Apa itu? Komunitas Filem.
Thursday, 01 April 2010

Violence in Films: Critique to the Film Kado Hari Jadi
Monday, 30 November 2009

How do we summarize violence derived from day-to-day reality? Blood! It’s the easiest language to frame the violence and sadism of an occurrence. Adding to it, gory utensils such as knife, screwdriver, hammer, and razor. Then, how do we envelop...

Elida Tamalagi
Tuesday, 12 August 2008

Negotiate The Discourse of Audio Visual at The Alternative Bioscope   Public demand on alternative bioscopes are numerous. Unfortunately, this huge exigency is not supported by the aspirant management of the movie place. The activity of screening...

Reading Michael Haneke’s Code Unknown
Friday, 03 October 2008

Michael Haneke is probably the most interesting director in the contemporary cinema history. Born in Munich, 1942, Haneke grew in suburb Austria, Weiner Nestadt. Having learned pschycology, philoshophy and theater at the Vienna University and make...

Sejarah Filem Sebagai Seni (2): Pengaruh Sandiwara
Wednesday, 02 September 2009

(Available only in Bahasa Indonesia) Jurnal Footage akan memuat kembali tiga artikel tentang sejarah filem yang ditulis oleh tiga penulis berbeda: Herman Pratikto dan H. Asby (Indonesia) dan B.J. Bertina (Belanda) yang sudah diterjemahkan oleh...

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