I S S N  1979 - 5009   KILAS:  
Indonesian

Download.Torrent_!

  • Germany Anno Zero | 1948 | 78 menit | BW | Roberto Rosselini
  • La Strada | 1954 | 104 menit | BW | Federico Fellini
  • La Terra Trema | 1948 | 160 menit | BW | Luchino Visconti
  • Ladri di Biciclette | 1948 | 93 menit | BW | Vittorio de Sica

Torrent.Softwares_!

Torrent Client is an application or software that possesses the ability to request, upload, or share a file via BitTorrent protocol. Examples of this are uTorrent, Azureus (Vuze), Transmission, BitTorrent or BitComet. Below are links to get the application. After downloading torrent files above, use this torrent client as a file transfer media. Below are links of the applications.

software-bittorrent
software-transmission
software-utorrent
software-vuze

Click here for more information

Figure_!

abduh-aziz
alexis-tioseco

bronnt-industries-kapital
budi-darma
chaerul-umam
chris-marker
eric-rohmer
fritz-lang
garnet-hertz
ingmar-bergman
intan-paramadhita
jean-epstein
jim-henson
jonas-mekas
jussi-parikka
komunitas-filem
von-trier
namjunepaik
nia-dinata
nicolas-echevarria
rafael-rozendaal
riri-riza
toshio-matsumoto

“Media” In the Mind of Rafaël Rozendaal PDF Print E-mail
Written by Hafiz   
Friday, 19 February 2010 14:46

In a number of video and media art exhibitions that I attended, video works emerge as a vital part in the presentation of media art. But how do we define video “works”? From the classic perspective, video is defined as non-narrative audio visual work. Can we still cling to this definition upon reviewing Rafaël Rozendaal’s No Disc (2006)?

nodiscnodisc2nodisc3

No Disc

Rozendaal placed a number of television screen tubes on the floor and connected them to a DVD player. The player did not read any disc; it merely remained in stand by position as often seen when one is yet to insert any disc. In any kind of player, there is a default screensaver shown each time the device turns idle. This young artist sharply observed this ordinary technological occurrence.

2010_nest_04-700x456muchbetterthanthis02

Through No Disc, we question how video art is defined. During a discussion a few years ago in Surabaya, an artist said to me, “I dislike media art because it puts just about anything and call it art. Art should possess a deliberate process of inspiration and be thoroughly baked, like when one is preparing a meal.” Hence, viewed from his perspective, Rozendaal’s work is no art.

So there we have such gapping perspective between technology phenomenon and media ways of thinking and our artist’s modernist view. But if we stretch our point of view concerning inspiration and the “cooking” of Rozendaal’s work, it does not lay in the material that he presented in his work. Rozendaal’s work is all about a clash of ideas. No Disc gives a vivid description of the clash of ideas on video art and visual representation within the visual art context; Rozendaal removed all “materiality” in video work. What he presented are devices which are—within the perspective of art materiality—not art works. But he did not speak of art work as a form of material aesthetic. No Disc shapes our ambiguity toward culture and technology.

rafaelTattoo-on-Sunsetdollarposter-700x528

Besides getting his hands on various media technology, Rozendaal also used his body as media. In one of his works, Self Portrait on Sunset Blvd (2007), he wrote the word “internet” on the inner side of his lip. He also used IPhone in making a video teaser for an app.

Rafaël Rozendaal (1980) is a young artist currently resides in Amsterdam, Netherland. He is the grandson of the former Brazilian president, Humberto Castello Branco (1964-1967). Besides making video works, he widely presents internet art works, installations, drawings, books and interactive art works.

All-domain-paintingdrawing-1drawin-2internet-painting

Several of Rafaël Rozendaal’s noteworthy exhibitions circa 2002-2010:

Texture Maps, dikurasi oleh Eelco van der Lingen, Nest, The Hague, Circa art fair, Preteen gallery, Puerto Rico;
Better Brain: Projected Manifestations of Futurity
, Future Gallery;
Biennale di Venezia, Padiglione Internet,
dikurasi oleh Miltos Manetas and Jan Aman, Venice;
Are you sure you are you?
, Spencer Brownstone Gallery, NYC;
Loop of Neen
, Loop Festival, Barcelona;
It Will Never be the Same
, quarantine, Amsterdam (solo exhibition);
White Trash
, electronic orphanage, Los Angeles (solo exhibition);
Biennale.net
, deitch projects, New York;
Tirana Biennale
, Tirana Albania.

Web: newrafael.com

Hits
Comments
Add New Search
Write comment
Name:
Email:
 
Title:

3.26 Copyright (C) 2008 Compojoom.com / Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved."

Last Updated on Wednesday, 10 March 2010 21:35
 
More articles :

» Benny Wicaksono: Surabaya Harus Mengejar Ketertinggalan

(Temporarily Available Only in Bahasa Indonesia) Berawal dari mengejar "ketertinggalan", Globalappleworks dan Surabaya New Media Art Center, membuat sebuah festival video bertajuk VIDEO:WRK – Surabaya International Video Festival 2009. Festival...

» Arkeologi Seni Media

Percakapan antara Jussi Parikka dan Garnet Hertz Artikel asli berbahasa Inggris bisa dibaca di Original text in English on  Pendahuluan Arkeologi media merupakan suatu pendekatan studi media yang mengemuka sejak dua dekade terakhir. Pendekatan ini...

Musikvideo-poster

lossofthereal-fotoage

Today.Quotation_:

"Very often, footage that you have shot develops its own dynamic, its own life, that is totally unexpected, and moves away from your original intentions."

[Werner Herzog]

Stats_!

Members : 420
Content : 145
Content View Hits : 136839

More.Articles_!

Prima Rusdi
Thursday, 12 June 2008

We May Not Accomplish Anything After a Decade of Political Reform   To commemorate the ten years of political reform, Proyek Payung held a screening event of the ten short films from ten young directors at Kineforum Jakarta, May 12 to 20th 2008....

Maulana ‘Adel’ Pasha: In The Future Video Will Replace Film
Wednesday, 11 June 2008

The distribution of video in the world and Indonesia in particular, is extra rapid. According to a research, one out of ten Indonesian using video for various purposes. The development of cameraphone technology making the access easier for the...

Bilal: Between Freedom and Fascism in Punk Ideology
Thursday, 17 July 2008

Bilal (2006) is a first and important work of Bagasworo Aryaningtyas. The work also appeared to be a confirmation of Bagasworo identity as a true punker. His next works such as Memanjakan Tubuh/Spoiling the Body (2006) and Lingkaran X/The X Circle...

The Endless Steps: Transaction of Sign Agreement
Monday, 24 November 2008

‘Is there any sign?’This question asked four times by a caller in the video The Endless Steps from Maulana Adel Pasha. Question which is so important for the caller to find the house. The transaction of sign thus occur. A bargain of subjective...

Sejarah Seni Sebagai Seni (9): Pelajaran Rusia
Wednesday, 28 July 2010

Aneka No. 21 THN VI, 20 september 1955   (Available only in Bahasa Indonesia) Tahun 1927 pertama kali dipertunjukkan filem-filem Rusia di Eropa. Filem-filem seperti The Battleship Potemkin (1925) buatan Sergei Eisenstein, Mother (Ibunda, 1926)...

Chris Marker: In Memory of New Technology
Friday, 12 June 2009

1. An Awkward MemoryI remember discussing Chris Marker’s most recent feature film, Level Five (1996), with a friend of mine when it first came out. She was generally impressed with the film, but irritated by what she described as “an old man’s...

Reality in Ladri di Biciclette
Thursday, 28 August 2008

QueriesLast night was my numerous silenced on one of the Italian neorealism, Ladri di Biciclette (1948), a film by Vittorio de Sica from the script of Cesare Zavattini. I was stunned in the film exposes on the reality of post-war Italian society....

Prelinger Archives: Daily Life Archives
Thursday, 03 December 2009

"The film your about to see, represence a significant breakthrough of the advancing science of the motion picture. For years, the industrial film has been pledge by the always-difficult sometime impossible-to-explain cost of the original creative...

Arkeologi Seni Media
Saturday, 24 April 2010

Percakapan antara Jussi Parikka dan Garnet Hertz Artikel asli berbahasa Inggris bisa dibaca di www.ctheory.netOriginal text in English on www.ctheory.net   Pendahuluan Arkeologi media merupakan suatu pendekatan studi media yang mengemuka sejak...

Elida Tamalagi
Tuesday, 12 August 2008

Negotiate The Discourse of Audio Visual at The Alternative Bioscope   Public demand on alternative bioscopes are numerous. Unfortunately, this huge exigency is not supported by the aspirant management of the movie place. The activity of screening...

Melati van Agam: Produksi Paling Baru dari Tan's Film
Wednesday, 03 March 2010

(available only in Bahasa Indonesia)   Pengantar   Filem Melati van Agam diadaptasi dari novel yang ditulis oleh Swan Pen yang bernama sebenarnya  Parada Harahap (1899-1959), salah satu tokoh pers nasional yang telah bekerja di Pewarta Deli,...

Sejarah Filem Sebagai Seni (2): Pengaruh Sandiwara
Wednesday, 02 September 2009

(Available only in Bahasa Indonesia) Jurnal Footage akan memuat kembali tiga artikel tentang sejarah filem yang ditulis oleh tiga penulis berbeda: Herman Pratikto dan H. Asby (Indonesia) dan B.J. Bertina (Belanda) yang sudah diterjemahkan oleh...

Paranormal Activity: A Terrifying Sound Pollution
Saturday, 19 December 2009

Haxan, a work of a Swedish director, Christensen, is a horror film full of strong social political issue. Haxan does not only picture human apprehension to all things supernatural. More than that, Haxan is a historical documentary portraying social...

Fritz Lang and The German Expressionism
Thursday, 12 June 2008

Fritz Lang is regarded as one of the main directors in the early history of film. As a representative of expressionism in the 1920’s, he has made some of the most important German silent film. During the repression of German Nazi party, he left to...

Rentjong Atjeh
Wednesday, 22 July 2009

(This article only available in Bahasa Indonesia) J.I.F SUPER SPECIAL PRODUCTION 1940"RENTJONG ATJEH"Serombongan bajak laut telah menyerang sebuah kapal layar, yang sedang berlayar di Selat Malaka. Dengan dikepalakan oleh Bintara (Bisoe), kawanan...

Sejarah Filem Sebagai Seni (3): Muka yang Tak Terlihat
Monday, 28 September 2009

(available only in Bahasa Indonesia) Sejak munculnya filem di Indonesia tahun 1900, banyak artikel-artikel di media massa cetak yang kritis membahas kehadiran filem di masyarakat. Penerbitan kembali artikel sejarah filem oleh Jurnal Footage adalah...

Documemory: A Bibliography
Thursday, 04 June 2009

A. Documentary Film100 Années Lumière. Retrospéctive de l’oeuvre documentaire des grands cinéastes français de Louis Lumière jusqu’à nos jours. Paris: Ministère des affaires étrangères, 1991.Barnouw, Eric. Documentary: A History of the...

Menilai 3 Doa 3 Cinta Melalui Mata Penonton
Monday, 26 January 2009

“Demi masa depan, aku harus tinggalkan. Ah…abang, demi cita-cita…” Ini adalah salah satu potongan lirik lagu dangdut yang dinyanyikan Dian Sastrowardoyo saat berperan sebagai Dona Satelit di filem 3 Doa 3 Cinta. Goyang pinggul dan riasan...

No Surprises in Sang Pemimpi
Monday, 28 December 2009

A film firstly released as an opening to the 2009 Jakarta International Film Festival (Jiffest) was already attracting crowd even before the week of its release ended. Audience seemed to be very enthusiastic to kill their curiosity over this sequel...

Dominasi Maskulin dalam Filem PPC
Tuesday, 15 July 2008

Perempuan Punya Cerita. Sebuah Filem garapan empat sutradara perempuan muda Indonesia. Satu ulasan mengatakan bahwa filem ini lebih pantas berjudul "Perempuan Punya Derita” karena penderitaan tanpa-akhir yang dialami hampir semua tokoh perempuan...

Tepian Sungai Ciujung: Ethical Strategy in Narrative and Interview Method (Part two of three)
Tuesday, 16 February 2010

Jurnal Footage will publish articles about the video "Tepian Sungai Ciujung" in three parts, written by Akbar Yumni. This is the second part of the articles. The mind is yet to be free if the medium is not liberating. It’s probably in line with...

Violence in Films: Critique to the Film Kado Hari Jadi
Monday, 30 November 2009

How do we summarize violence derived from day-to-day reality? Blood! It’s the easiest language to frame the violence and sadism of an occurrence. Adding to it, gory utensils such as knife, screwdriver, hammer, and razor. Then, how do we envelop...

A Pamphlet of Our History in Ruma Maida
Sunday, 08 November 2009

Ishak Pahing dies amid a gunfire volley during an air raid of the plane he was on with his friends. This scene opens the film Ruma Maida (Maida’s House), directed by Teddy Soeriaatmadja, and as scriptwriter, Ayu Utami—the writer who shook...

Lightly Reflecting the World’s History of Visual Art through 70 Million Video
Wednesday, 10 March 2010

There’s so much one can do upon reflecting history. In the Western world, interpretation of cultural history continues to roll until today. It’s the essence of cultural history: to be reinterpreted continuously by consecutive generations. The...

Yang Muda yang Bercinta: Early Montage in New Order Regime
Wednesday, 07 October 2009

A young man rides in a bajaj with his pregnant lover, passing through Jakarta’s slums in the 1970s. Child beggars in the city’s labyrinths become a syntagmatic connection to bajaj. The young man is a university student named Sony (W. S. Rendra)1...

Religion, Politics, and Povertization in Los Olvidados
Tuesday, 16 December 2008

Los Olvidados is a work of one of the surrealist movement figures, Luis Bunuel. Born in Spain, 22 February 1900, grow in Mexico. Luis Bunuel finish Los Olvidados in 1950. This picture become one important work that inspire many pictures around the...

Revolutions Happen Like Refrains in a Song*
Thursday, 03 September 2009

*(Or rather, are declared as often):Amidst a State of Dependence, A New Philippine Cinema is Born.The term independent once meant something in Philippine Cinema. It was reserved for such luminaries as Rox Lee (the great animator), Raymond Red (the...

Mimicking Mimicry: Notes on the 4th Purbalingga Film Festival 2010
Thursday, 03 June 2010

According to Teshome Gabriel, the first period of third world cinema is Hollywood films. The second is by mimicking Hollywood films, i.e. identifying themselves to Hollywood films. We can see traces of mimicry in the early production of Dutch Indies...

Chronicles_!

sejarah1
sejarah2
sejarah3
sejarah4
sejarah5
sejarah6
sejarah7
sejarah-filem-8

sejarah9
var02
var03
var04
var05
var06
var07
copyleft.2009.jurnalfootage.net